Mesa y Manos
Stories, books, and communications consulting — for people who believe clarity and belonging go together. In English and in Spanish.
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Join the table
Now Available · August 8, 2026
Not every chair matches. Not every story starts the same way. But every seat at this table has a name on it — including yours.
Hardcover · Ages 4–12 · August 8, 2026
J.P. Ivie
I've spent twenty years helping organizations communicate clearly — from Fortune 500 companies like USAA, Bank of America, and HP, to small businesses, nonprofits, and faith communities. Now through Mesa y Manos.
I work slowly and carefully. I ask more questions than I answer. And I don't believe good communication requires anyone to lose their voice in the process.
Picture Book
The Table
A story about belonging, for kids and anyone who has wondered if they belong.
Learn more
Short Fiction
Lowfield Crossing
A quiet world where small lives carry weight. Stories shaped like parables.
Explore the world
Verse and Image
Pueblo de Luz
Stories in verse and image — simple on the surface, deeper on return. Bilingual.
Explore the world
Environmental Audio
Listen
Not soundscapes. A place to inhabit without needing to do anything with it.
Enter the spaceStay Close
Leave your email and I'll keep you close — new releases, book news, and occasional notes from the table. No spam. Ever.
For essays, stories, and deeper conversation, find us on Substack.
From Early Readers
"These stories are wonderful and their messages are heartfelt. The characters draw you in and make you feel everything — the pain, the joy, the doubt, the fear. There is a comforting rhythm to reading them. If only in real life humans could work together like the inhabitants of "Lowfield Crossing."
"My heart was filled with hope. This is a perfect illustration of the wedding feast parable, sprinkled with the fruits of the Spirit. Through the simple concept of tables and chairs, the author shares a vision of God's beloved community as welcoming, inviting, and filled with hope and love."
"In a world that feels increasingly divided, this book is exactly what we need right now. Encouraging, uplifting, and quietly powerful — it reminds us that there is still room for one another."
Now Available · August 8, 2026
A picture book about belonging and making room for one more — and why that matters.
The Story
This is a children's book about belonging, told through a table with mismatched chairs where there's always room for one more. Each chair has a name: love, mercy, dignity, grace — and together they show what it looks like to make space for others. It's for kids… and for anyone who's ever wondered if they belong.
Hardcover · Ages 4–12 · 40 pages · August 8, 2026
From inside the book
Official Trailer
A picture book about belonging — for anyone who has ever felt out of place.
Churches · Schools · Nonprofits
The Table with Mismatched Chairs is a natural fit for children's ministries, classrooms, community organizations, and family gift sets. Contact us for bulk pricing and licensing.
Request bulk pricing
Short Fiction · J.P. Ivie
A quiet world where small lives carry real weight. Enter carefully. Stay as long as you need.
The World
Lowfield Crossing is a place — a shallow basin where the land flattens and the paths naturally bend inward. Three ancient oaks mark its edges. The river passes nearby but does not dominate. Things that move eventually arrive here.
The stories told here are insect-scale. Small lives. Real weight. The kind of parables that do not explain themselves — they simply happen, and stay with you afterward.
Observed more than explained. Quiet more than dramatic. There are no heroes here — only creatures making their way, and the occasional mercy that changes everything.
From the world
The Stories
The Invitation. New Mercies. Along the Road. Held Together. The Late Arrivals. Five stories are written and waiting. A sixth is still finding its ending.
Each story is written to stand on its own and will be released individually, with collected editions to follow. They’re on their way.
Let me know when they’re ready
What lives here
The glow vines respond to warmth. The Three Oaks mark the edges of the clearing. The hearths are built low, from what is found nearby. This world does not announce itself. It waits.
Tales from Pueblo de Luz · J.P. Ivie
A village of light on a hill that cannot be hidden. Pull up a chair. The Llamador is already playing.
The World
Pueblo de Luz sits high on a hill dense with Escuchamos trees — thick, ancient, generous. The whole hillside glows because the Wumblés move through it. On the darkest nights you can see it from the valley below.
Every evening the Llamador lifts his guitarra and plays the listening song. The Wumblés come from everywhere, bringing food to share. Those who have something bring it. Those who have nothing still have something — because everyone brings enough for one more.
Stories told in verse and image. Simple enough for a child to love. Deep enough for an adult to feel.
The Listening Song
Who lives here
The Wumblés
Rounded. Fuzzy. Glowing from within. They blaze when they laugh — like a star and a half. They help not because you deserve it, but because that is simply who they are.
The Llamador
The one who calls. Every evening he lifts his old guitarra and the notes float through every path, every tree, every drop of dew. His silence is the first sign something is deeply wrong.
The Escribor of Laws
Old. Respected. Warm but not sentimental. He wrote the rules not to keep people out — but to hold the spirit of the table. When he is present, the rules serve people. When he is absent, they become walls. He shuffles out in his robe and slippers, corrects everything with one gesture, and says eight words. That is enough.
The Orejans
Smooth. Wide-eyed. Defined by their very large ears, which lead them toward sound, music, warmth, and belonging. They wander because they wonder. They arrived at Pueblo de Luz not because they were invited — but because their ears heard the Llamador's song from three valleys away and followed it. They come with open hands.
The Praxon
Tall. Angular. Sharply tailored and sharper still in his conclusions. He carries a rolled document like a credential nobody requested. He believes the rules protect the table. He simply cannot see what they cost — until something forces him to look.
The Escuchamos Fruit
Golden-amber. Sun-warm. Dense flesh around one large seed, best eaten slowly or roasted until the edges darken. It grows on the ancient trees that make the hillside glow. Everyone brings it to the table. To offer one is to say: sit down. There is enough.
The Stories
The Praxon Who Learned to Listen. The Wandering, Wondering Orejans and the Ridiculous Rules. Both available now on Substack — in English and in Spanish.
Read the stories
Mesa y Manos
Not songs. Not soundscapes. A place to inhabit without needing to do anything with it. Audio that accompanies. Never interrupts.
Vol. 01
Quiet Path at Dusk
Earthen and held. The feeling of being inside something that has existed for a long time. Distant crickets. Warmth at the edges. Nothing builds. Nothing resolves. It simply stays.
Vol. 02
De Luz y Silencio
Light and open air. The feeling of something suspended — bioluminescent, breathing. Where Vol. 01 was earthen, this one ascends. Still. Wide. Luminous at the edges.
Vol. 03
Lo Sólido y Madera
Ancient wood and earth. Deep, subterranean, slow. The sound of stone that has not moved in centuries. Roots. Caverns. The kind of quiet that only exists far below.
Vol. 04
Crickets y Canciones Nocturnas
Gratitude and open field. Sixteen evening songs from the clearing by the small musicians of Lowfield Crossing playing at the river's edge until dawn.
All collections
New collections are added as they are completed. Subscribe to Mesa y Manos on YouTube to know when something new arrives.
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J.P. Ivie
Designer. Author. Communicator. Trying to make room wherever I go.
Bill Page · J.P. Ivie
Military family. New schools, new faces, new rules nobody explained. I learned early what it feels like to stand just outside a room where everyone else already belongs to each other. You watch. You wait. You try to find the door.
That experience left a mark I didn't fully understand until much later. But it shaped everything.
It shaped how I notice people. Who's new. Who doesn't know the unwritten rules. Who feels unsafe asking questions. It shaped how I work — twenty-plus years in design and communications, helping organizations say what they mean and reach the people they care about, without leaving anyone behind in the process. It shaped the stories I tell, the worlds I build, the table I keep trying to set a little wider.
I grew up with strong convictions — about faith, about order, about how things were supposed to work. Some of those convictions were true. Some of them were just comfortable. And over time I stopped being able to tell the difference.
So I started listening. I learned Spanish. I read history I had never been taught. I sat with stories that didn't line up with what I thought I knew. And slowly, carefully, and at some real personal cost, I changed.
I'm not finished changing. I probably never will be.
What I do now — the consulting, the writing, the fiction, the bilingual work — it all comes from the same place. I do for others what I wanted someone to do for me, in the rooms where I was new and didn't know how to find my footing. I try to solve problems with honesty instead of performance. I try to make complicated things simple, and simple things true.
I've had some hard seasons. Lost things I expected to keep. Carried more quietly than I probably should have. But I keep coming back to this work because it isn't really about me. It's about the person standing just outside the room, wondering if there's a place for them.
There is. That's what I've been trying to say, in every form I know how to say it.
Mesa y Manos
We struggle to talk with each other — especially when we disagree. And too often, the language we use makes things worse, not better.
Mesa y Manos is a table for trying a different approach.
Not to argue. Not to convince. Not to sort people into sides.
Here, we ask better questions. We listen to perspectives we don't yet hold. We test our assumptions before drawing conclusions. We explore belonging, immigration, faith, and what it means to be a neighbor — in English and in Spanish — through story, reflection, and honest conversation.
If you're here to listen, share, learn, and grow — there's a place for you at the table.
There is always room for one more.
The work
The design, the planning, the communication — those are just how I do it.
Where I do my best work
They call when something isn't moving. When the meetings keep happening but nothing gets decided. When the message isn't landing and nobody can agree on why. When the work is good but the people doing it are pulling in different directions.
That moment — stuck, unclear, a little frustrated — is exactly where I do my best work.
I've spent twenty years walking into those situations. Corporate teams at Fortune 100 companies. Small businesses trying to find their voice. Faith communities that care deeply but can't quite communicate it. Nonprofits doing meaningful work that nobody outside the building seems to understand.
The problems look different. The feeling is the same. It's the moment something needs to move and isn't.
The toolkit
Twenty years of practice. A UX certification and a Master UX certification from the Nielsen Norman Group — the most respected credentialing body in the field. Deep, working fluency in human-centered design, user research and synthesis, workshop facilitation, design systems, Figma, information architecture, agile methods, mentorship, team leadership, and the integration of AI into the design process.
If you want to go twelve rounds on methodology, I'm ready.
But here's what I've learned after two decades of doing this work at the highest level:
The tools are not the point.
Figma doesn't get teams unstuck. Research decks don't move organizations forward. Certifications don't build trust across a room full of people who can't agree on the problem.
People do that. The right person, in the right room, asking the right questions — that's what changes things.
These tools are just tools. The goal is getting unstuck, moving forward, solving the problem, making progress, working together. Not more tool usage.
How I can help
Not a proposal. Not a pitch. Here's what that conversation might turn into.
Discovery
Finding the Real Problem
A focused engagement where I come in, ask the right questions, and help you see clearly what's actually stuck and why. You leave with a practical path forward.
Every engagement starts with a free 30-minute conversation. No pitch, no pressure.
Start a conversationUX & Experience
Untangling the Experience
When the way people interact with your organization creates more confusion than clarity. Twenty years of enterprise UX thinking applied to organizations of any size.
Scoped to your situation. Let's talk before we talk numbers.
Start a conversationWorkshops & Facilitation
Getting the Room Aligned
Facilitated sessions for teams, boards, and community organizations. We work through what's unclear, what's misaligned, and what needs to change to move forward.
Half day or full day. Priced after we understand what you need.
Start a conversationOngoing Support
Someone to Call
Some organizations don't need a one-time project. They need a steady thinking partner. Monthly retainer support for ongoing communication, strategy, and the questions that keep coming up.
Monthly support, sized to what actually makes sense for your organization.
Start a conversationWho I work with
Nonprofits and faith communities. Small businesses and startups. Corporate teams that are resourced but stuck. The common thread isn't the industry or the budget. It's the moment something needs to move and isn't.
I'm not here to tell you what your answer should be. I'm here to help you find it.
Remote-friendly. Available nationally.
Work at the Table
Every engagement starts the same way — with questions, not answers. What follows is what happened when organizations trusted that process.
Enterprise UX · Cross-Functional Leadership
Most communication problems aren't technical. They're human.
At USAA, a Fortune 100 financial services company serving military families, eight design teams were each solving the same problem in eight different ways. The result was an account experience that felt inconsistent and confusing to the people who depended on it most. Support calls were rising. Trust was eroding. Nobody had made a wrong decision. They had simply stopped speaking the same language.
My job was to bring them to the same table.
Over 18 months, I facilitated workshops across all four product lines, coordinated with legal, product, and digital stakeholders, and helped establish shared standards everyone could actually use. Not by telling anyone they were wrong, but by asking questions until a shared answer emerged.
When the redesigned experience launched, member satisfaction reached the highest score in company history. Support calls dropped. The organization saved nearly $1.5 million in the first year.
The tools were enterprise-grade. But the work was human.
Design Systems · Trust & Clarity
There's a moment, you've probably felt it, when you look at a statement or a report or a newsletter and you can't quite tell what it's saying. Not because you're not smart. Because the information wasn't organized for you.
That feeling has a cost.
At USAA, millions of members were opening their banking app and experiencing exactly that. Money coming in, money going out, fees being charged: All displayed inconsistently across products, platforms, and screens. Members were confused enough to call for help in large numbers, and trust in the digital experience was quietly eroding.
My job was to make it glanceable.
Over nine months, I coordinated research across eight design teams, ran 24 practitioners through ideation workshops, conducted nine rounds of user testing, and partnered with accessibility specialists. We established shared standards for how money moves.
When it launched, member satisfaction reached the highest score in company history. The organization saved $1.4 million annually.
One glance and it tells you what's going on. When people can read what you're telling them, they trust you more.
Systems Design · Organizational Clarity
Every organization has unwritten rules. The way things are done. The tools people use. The rhythms of the week. The expectations nobody says out loud, until someone new arrives and gets them wrong.
That's not a people problem. That's a systems problem.
At USAA, eight design teams and dozens of designers were operating without a shared foundation. New designers arrived and had to figure out the tools, the files, the meetings, the expectations: Mostly on their own.
Over three years, I built the system that should have existed from the beginning. A centralized toolkit. A clear onboarding project. File structures developers could actually use. Team rhythms written down so new people could find their footing in days instead of months.
The result: new designers contributing at full capacity in weeks instead of months. Fewer repeated conversations. Stronger trust between teams.
"Bill doesn't just lead — he creates lasting impact while empowering teams to do their best work."
Brand Identity · Small Business
He'd spent years helping other people find their next opportunity. Now he was building something of his own — Elite Pool Care — and he wanted it to feel like him. Not generic. Not forgettable. Not what an algorithm would produce.
He'd already tried that. It didn't work.
I didn't open a design tool. Not yet. I asked questions. What does elite mean to you? What should a customer feel when they see this for the first time? What did the AI concepts get wrong?
He answered every question. And in those answers, the logo was already there. I just had to find it.
A week later I came back with four concepts. He loved them. From that choice I built the full identity package: color, black and white, horizontal and vertical. Everything a new business needs to show up consistently from day one.
That's what listening produces. Not a logo that looks like a pool company. A logo that looks like him.
Get in touch
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